Hour 1
- Burn as Brightly by Gala Flagello.
- Carme Rodriguez’s Alalá das Paisaxes Verticais.
- Shades by Daijana Wallace.
- Dai Wei’s Honeycomb.
- Folios by Toru Takemitsu.
- Nicole Chamberlain’s Atalanta.
- Frontlash by Nickitas Demos.
Photo: composer Dai Wei (photo credit: Micah Gleason)
On this week’s Modern Notebook with Tyler Kline: Dai Wei’s piece “Honeycomb” is music born out of her own observations of a beehive outside her bedroom window. Stuck inside during the COVID-19 lockdowns, she would watch bees come and go, and later learned how bees passed nectar to one another to form a honeycomb–and this natural process went on to inspire the construction of this piece.
Then: hear music by Akshaya Avril Tucker for trumpet and saxophone, and a piece by Sean William Calhoun called “Plasmonic Mirror.” And a guitar quartet by João Luiz titled “Three Brazilian Pieces,” which serves as a musical portrait of three forms of expression from his native country.
Featuring works by Gala Flagello, Carme Rodriguez, Toru Takemitsu, Daijana Wallace, Nicole Chamberlain, Matana Roberts, Brendon Randall-Myers, and others; and performances by Talla Rouge, pianist Isabel Dobarro, cellist Kivie Cahn-Lipman, UNC Greensboro Casella Sinfonietta, The Merian Ensemble, Unheard-of//Ensemble, trumpeter Kenken Gorder with saxophonist Marina Sakellakis, New York Guitar Quartet, flutist Laura Lentz, and more.
Hour 1
Hour 2
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